|
|
From Fast and Loose, an ethical collaboration
May 2004
Wake Gods Man
The question: If you discover an awful secret, should you tell?
Scene Zero
by José Cruz González
(The shape of a human body is suspended horizontally above the stage. The body is wrapped in shards of white cloth like a mummy. Green weeds grow out of it. Onstage is a small delicate table with a vase filled with Easter lilies. BETH and ANNIE stand onstage. They are sisters. BETH is older. They are dressed in black.)
BETH
(To ANNIE.)
Shes late.
ANNIE
Dont start.
BETH
Shes never on time. Its embarrassing. Im always the first to arrive. Call her.
ANNIE
Dont start, Beth. Sarah will be here.
BETH
Why must you always protect her?
ANNIE
Look, dont even go there.
Scene Two
by John Walch
(An intense light begins to shine from the mummified form hanging over the stage. The light is white hot. Something begins spilling from the mummified formpecans. The pecans hit the stage deck and scatter. The spilling pecans stop as quickly as they started; the body remains full. A MAN wearing a hat enters carrying a bucket. He steps on one of the pecans. CRACK. He picks up the pecan and eats the nut inside. He gathers all the pecans that have spilled on stage in his hat. He moves just off, sits on the bucket, pulls out a nutcracker, and begins shelling pecans.)
MAN
One thing nobody ever tells you about pecans is that theyre a powerful aphrodisiac, lot like oysters. Stronger than oystersmore zinc, I think. See its a chemical thing, scientific fact, nothing to do with ethics or God. Nobody ever tells you that though, cause who would want to blame what they done wrong on a pecan?
(The MAN cracks another pecan.)
Scene Three
by Kirsten Greenidge
(Above the stage the body seems to inhale, then exhale. Hat in hand, the MAN climbs the Food Bank ladder, up to where the body is suspended. He uses a knife to cut a hole in the face of the body [the bodys eyes or mouth is a suggestion]. He carefully sifts pecan shells into the body from his hat).
MAN
Nobody wants to blame it on a pecan. (sifts/pours). But. You could. (sifts/pours).
" Not me. Whatever happened it wasnt me, dont blame me. It was something I ate, something I thought when I ate, something I thought before I ate: a mistake. Not the real me." We do it all the time. Instead of accept. Instead of listening and accepting, we explain and explain. Or try to explain and explain. Thats got nothing to do with God, either. (sifts/pours).
(The body expands. The sound of something about to burst/stretched to its limit. It grows louder. Bright light fills the stage.)
Scene Four
by Julie Marie Myatt
(The body bag is empty and body is gone from above the stage. The MAN enters with a broom and sweeps the pecan shells across the stage.)
MAN
There's always a trace of something left behind from the appetites of man. Always a crack or a shell or a wrapper or a sock or a feather or a trail of blood. A laugh. A scream. A voice...Unheard. Somewhere. Left behind. Somewhere in the wake. Of the action
(continues to sweep)
what a mess, these nutsso much trouble just to get that little bite of pleasure--I call them pecans, while some call them peecansI guess I cant help myself. I must have a few guilty pleasures. You think you can give them all up, and you do, you do, give them up, but the appetitethe appetite has a mind of its own, and Im not sure I was expecting thatI was a young man when I was called, Idealist, what did I know?and Im not sure God understands how powerful that appetite is, that to give it up isis not always possible.
(Beth enters. Kicks a pecan shell towards him.)
BETH
You missed one.
MAN
Thank you.
BETH
Who you talking to?
MAN
No one.
BETH
God abandon you?
MAN
Perhaps.
BETH
Good.
(He continues to sweep.)
Also see: in dialogue: Fast and Loose, with Ethics
|
|
|
 |
Out now:

|
Archives>>
|
The Rail invites you to a reading with Jason
Flores-Williams and Brian Carreira, along with musical
guest Steve Strunsky of the Lonesome Prairie Dogs.
Thurs., Sept. 22, 8:30 p.m.
Vox Pop--Flatbush, Brooklyn
www.voxpop.net
|
OFF THE RAIL FALL 2005 at the Central Branch of the Brooklyn Public Library - Grand Army Plaza
(718) 230-2100 in the 2nd Floor Auditorium
Tuesday, Sept. 13 from 7 till 9
John Ashbery
Leslie Scalapino
Tuesday, Oct. 18 from 7 till 9
Kenneth Bernard
Lynda Schor
Tuesday, Nov. 15 from 7 till 9
Diane Williams
Christine Schutt
Curated and hosted by the Rail's Fiction Editor Donald Breckenridge
|
The Independent Press Association-NY recently honored The Brooklyn Rail with the following awards:
1st place: Best article about Immigrant Issues or Racial Justice--Gabriel Thompson, "One Immigrant's Journey" (September 2004).
1st place: Best article about the Arts*--Amy Zimmer, "The Brownsville Rec. Center" (April 04)
2nd place: Best article about the Arts--Brian Carreira, "Harlem Arts: A Faux Renaissance" (Dec 03/Jan 04).
2nd place: Best editorial or commentary--T. Hamm, "The Issue is Free Speech" (Dec 03/Jan 04).
3rd Place: Best Investigative News Story--Marjory Garrison, "Minimum Matter of Survival" (May 04)
Honorable mention: Best Investigative News Story--Williams Cole, "Housing vs. the RNC" (June 04).
Honorable mention: Best Original Feature--Yvette Walton, "My Life in the NYPD" (Dec 03/Jan 04).
Come to the Brooklyn Waterfront Festival.
|
|
|