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Letter from the Editor
A Self-Evident Truth
“For milk to become yogurt, it needs culture.”
Willem de Kooning
In Germany, under Hitler’s regime, artistic expression was banished as a form of Bolshevism. In Russia, under Stalin, it was denounced as “bourgeois cosmopolitanism”. In mid-50s America, Abstract Expressionists met with aggressive censorship by members of the House Un-American Activities Committee. More recently, in October of 1999, Rudy Giuliani threatened to cut off city funding for the Brooklyn Museum because he deemed a painting in one of its shows to be “offensive.” And last month, Governor George Pataki issued highly publicized threats against the International Freedom Center and the Drawing Center for their display of “anti-American art.”
History has not been kind to those who attack the creative spirit. Nor should it be. Freedom of expression is our birthright as Americans. And so we dedicate this issue to all our comrades in this genuinely patriotic “war for freedom.” All of us here at the Rail wish you a great summer!
Phong Bui
Table of Contents
LOCAL
Bruce Ratner Doesn’t Use Steroids: “The Paper of Record” Wastes Ink and other Atlantic Yards Happenings
by Brian J. Carreira
Project Street Beat
by Eleanor J. Bader
Coney Island Beer Hustle
by Matthew Vaz
Madman or Reformer? Some Q’s for CXB
EXPRESS
The AfroCulture Wars: The “New Black Man” Cultural Criticism as Pseudoanalysis, Pt. 2
by Norman Kelley
Talking about Class
by Richard Wells
The Playboy Philosophy turns 40
by Carrie Pitzulo
Report from Brazil: Dark Clouds Surround an Evangelical Movement on the Rise Across the Globe
by Jared Goyette
Reflections on the Nation
by Gabriel Thompson
ART
In Conversation: Mark di Suvero
with John Yau
Make It Now at The SculptureCenter
by Daniel Baird
Artseen: Micchelli, Always a Little Further; Heuer, Barry McGee; Stone, Andrea Zittel; Morgan, Jack Goldstein Paintings: 19801985; Buhmann, Greater Brooklyn; Kalm, Works on Paper; Buhmann, John Beech; Howard, Wall-to-Wall Drawings: Selections Summer 2005; Kamholz, Arthur Simms; La Rocco; Robert Berlind; Kalm, John Jacobsmeyer; McAdams, Dana Frankfort; Devers, Takeshi Yamada’s Museum of World Wonders: Coney Island Circus Sideshow; La Rocco, Ideal: Selections from the American Abstract Artists
Lee Friedlander at MoMA
by Farrah Karapetian
Please Do Not Remove this Label
by Nick Stillman
BOOKS
Radial Asymmetries:
Robert Kelly and David Levi Strauss on Guy Davenport
In Conversation: Alan Ziegler
with Suzanne Dottino
In Conversation: Stanley Kunitz
with Farnoosh Fathi
Biography: What Becomes A Legend Most?
by Ellen Pearlman
Poetry/Mixed Media: The Dead Spectator
by Alex Young
Fiction: An Audacious Talent
by Eleanor J. Bader
STREETS
New Skool Slam:
Nigger
by Alisa Umanskaya
Rebel Music
by Nicoletta Bumbac
Slammed
by Tamara Leacock
Keep Writing
by Ujijji Davis
MUSIC
Serenade to Oblivion
by José Padua
A Form for the Mess The Avett Brothers’ Serenade to Oblivion Review
by Dare Dukes
“How Come You’re Not on American Idol ?”
by Norman Kelley
DANCE
In Conversation: Noémie Lafrance
with Vanessa Manko
In The Cold Light Of Day
by Philippa Kaye
THEATER
In Dialogue: Elana Greenfield
by Jason Grote
Depraved New World: Jollyship the Whizbang
by Wendy Weisman
Local Stop: Brooklyn in the Fringe
FILM
The Relentless Sublimity of Bertolucci’s Il Conformista
by David Meyer
Talking About the Other America, Again Review of On the Outs
by Gregory Zucker
Don’t See It Now
by William Cole
2046 : Wong KarWai’s Finest Moment
by Douglas Singleton
Chris Marker at the Museum of Modern Art
by Robert A. Haller
FICTION
Appetite
by Jonathan Baumbach
The Lullabye Motel
by Pat MacEnulty
Roy and Belinda
by Blake Radcliffe
Three Stories
by Thomas D’Adamo
Two Games
by Rachel E. Greer
POETRY
The Impossible Sentence
by Edwin Torres
Wanted to Compose a Canticle of Exaltation and Praise
by Sharon Mesmer
Stupid University Job
by Sharon Mesmer
Basement Office Moraine
by Joanna Fuhrman
Theater Moraine #2
by Joanna Fuhrman
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